We took the Goddard on an east-southeast course in the early summer of 2022 in order to get to our destination of Tishomingo, Mississippi, by late June for some warranty repair work on our home. Our travels took us through the states of Oklahoma and Arkansas, in which neither of us had previously spent much time .
In addition to seeing some new sites of interest, like the Philbrook Museum of Art in Tulsa, we also saw wildlife that was new to us since we were in an unfamiliar part of the country. Depending on where you live, these might be common in your area, but here’s a recap of the birds, new to us, we saw in Oklahoma and Arkansas while on our way to Tishomingo.
Northern mockingbird
We’ve seen many of these birds in the last 12 months, including in the western United States, but the first place we saw a northern mockingbird was about 20 miles west of Tulsa, Oklahoma. This one’s perched on a piece of playground equipment in the campground at which we were staying. Northern mockingbirds, as their Latin name Mimus polyglottos implies, are masters of mimicking the calls of other birds and even other animals and machinery. When we were camped in northern Tennessee later in the summer, a particular mockingbird perched in the campground went through a routine of perhaps 20 different calls every morning. Northern mockingbirds are noted for their intelligence, and are known to be able to recognize different humans. These are the state birds of five states: Arkansas, Florida, Mississippi, Tennessee, and Texas.
I recently finished reading Harper Lee’s novel “To Kill a Mockingbird,” in which a character notes that it’s wrong to kill these birds because “…. they don’t do one thing for us but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us.” They’ve become one of my favorite birds to see and listen to, but they’re (understandably) difficult to identify by their calls alone.
In this same campground, which featured a very nice walking trail along the Arkansas River, we saw two kinds of gulls, great egrets, great blue herons, Baltimore orioles, a northern cardinal, and an indigo bunting. Water makes a big difference when it comes to attracting wildlife.
Northern cardinal
This is not the best photo of this bright species that I’ve taken, but I’m including it because it was the first northern cardinal (Cardinalis cardinalis) I photographed (we’d seen another at the same Tulsa-area campground as above, but I didn’t get a photo). This guy (unlike northern mockingbirds, in which both genders look alike, there’s a clear difference in cardinals) was hanging out in the gardens at the Philbrook Museum of Art in Tulsa. Like the mockingbird, we’ve since seen this species in other places around the country, including in Grand Rapids, Michigan, and (improbably, I thought at the time) atop a saguaro cactus outside of Flagstaff, Arizona. Northern cardinals are very common in the eastern United States as well as a large swath of Texas and parts of Arizona. They do tend to stick out, even in heavy foliage, and they’re always a pleasure to see.
Eastern phoebe
Because we both grew up in Colorado and lived there most of our lives, anytime we see a bird with “eastern” in its name it’s likely new to us. Such is the case with this eastern phoebe (Sayornis phoebe), which is commonly found in the eastern part of the country and especially the south. This little bird, too, was perched on a tree at the Philbrook Museum of Art the evening we were there – it has a bright, very pleasant chirp of a call.
This is one of about 400 species in a group of birds called tyrant flycatchers, the largest group of birds in the world. They’re known for being rather plain-colored like this eastern phoebe [with some notable exceptions, like the scissor-tailed flycatcher (see below) and the vermillion flycatcher, which we saw in early 2023 in Tucson, Arizona]. Flycatchers subsist largely on airborne insects, like their name implies.
Red-shouldered hawk
This is the same bird that I wrote about in the blog posting about our visit to the gardens at the Philbrook Museum of Art, but I wanted to post this alternate photo because this red-shouldered hawk (Buteo lineatus) gave us plenty of opportunity to admire it while it perched on a bridge railing (until some ne’er-do-well kids came tramping along and scared it off, but whatever). Although there’s a small population in coastal California, this is an eastern United States raptor; Tulsa, in eastern Oklahoma, is on the very western edge of their habitat. They’re a little smaller than the red-tailed hawks that are common in the western United States. This species prefers the cover of heavily treed areas (which describes the gardens at Philbrook Museum of Art quite well). Up until around 1900, these birds were among the most numerous raptors in the United States, but deforestation and, until it was banned, DDT contributed to a marked decline in their population.
These last three birds, all seen in the same 25-acre space, give you an idea of the variety of species that can be enjoyed at botanic gardens – they’re great places to visit if you’re into birds.
Scissor-tailed flycatcher
From the Tulsa area we proceeded to western Arkansas, where we camped outside Russellville. There’s a fantastic municipal park on the Arkansas River near Russellville, where we saw several specimens of the spectacular scissor-tailed flycatcher to which I alluded earlier. This is the state bird of Oklahoma, but I guess they’re allowed to be in Arkansas as well (their habitat is the central-southern United States, including all of Kansas, Oklahoma, and Texas).
Want to know why they’re called scissor-tailed flycatchers? Scroll on!That’s why.
(The sign didn’t say “Dang,” by the way – I cropped out the “er.”)
((The “Danger” sign didn’t refer to the scissor-tailed flycatcher, by the way – it had something to do with boating on the river.))
Prairie lizard
TALES OF THE GODDARD LIZARD ALERT: Sharp-eyed readers will have already noticed that this is not a photo of a bird. This is most likely a prairie lizard, or Sceloporus consobrinus. Note, however, that I know next to nothing about lizards, so I could definitely be wrong. Whatever species it is, there were dozens of them at the park crawling around the cement steps leading down to the Arkansas River, which obviously delighted Nancy to no end as we climbed back up. Also, we’ve seen a lot more different lizards in the last year, so prepare yourself for lots of TALES OF THE GODDARD LIZARD ALERTS.
Northern rough-winged swallow
Finally, we made our way to the eastern side of Arkansas, right up next to the mighty Mississippi River, where we camped just a stone’s throw from the Mother of Waters. I’m fairly confident that these are northern rough-winged swallows (Stelgidopteryx serripennis), which were flying acrobatically over the river while hunting for flying insects. We really enjoyed watching them, along with their barn swallow cousins.This is a photo of a barge making its way up the Mississippi, just south of Memphis on the other side of the river from where we were camping. I’m including it because we spent a lot of time just watching these gigantic barges going up and down the river while hauling all kinds of cargo, and there’s also a swallow (dunno what kind) pictured just above the barge, in pursuit of a flying insect.
I kept a list of the different bird species we saw in 2022, and we ended the year with 86 species. As of this writing (late May 2023), we’ve seen nearly 70 species since the beginning of the year. Traveling about the country (although we’ve been only in New Mexico, Arizona, and, briefly, Utah in 2023) helps that number quite a lot, of course, as does keeping an open eye when one is out and about. There’s a lot of diversity out there, and it’s neat to see.
I don’t know how many of you have spent any sort of significant time – invited or not – in the backyards of multimillionaire Oklahoma oil barons, but when you’ve done it as much as Nancy and me, you start to notice some similarities in the properties.
First, the backyards are big. Not measured in square footage are these properties, but rather in acres.
Secondly, there’s quite a bit of variety when it comes to plants, be they grasses, flowers, shrubs, or trees, in these yards. The backyards don’t comprise solely Kentucky bluegrass and a lonely specimen of spruce tree – the list of different plant species runs into the dozens, if not the hundreds.
Finally, most of these barons’ backyards boast at least one kind of water feature, such as a creek, pond, or seashore (well, not so much of the latter in Oklahoma). Because of this access to water, a greater variety of animal life, from birds to mammals to things that swim, call these backyards home – or at least a convenient stopping-off point to wherever it is they’re going.
We visited the museum late on a Friday afternoon. It’s an incredibly relaxing place to be, and a tremendous amenity for the city of Tulsa. That’s Villa Philbrook in the background: the back of the villa, seen here, is actually much more impressive than the front. I can’t help but think that it was designed that way. When it was a private home for the Waite Phillips family, Villa Philbrook included four private bedrooms each with its own bathroom and sunroom. In 1938, the Phillips family donated the building and its grounds to the city of Tulsa, intending for Philbrook to be used for artistic and cultural purposes; the family moved its home to the penthouse of a newly built skyscraper in downtown Tulsa.
All of these aspects of well-heeled Oklahomans’ backyards were on full display when Nancy and I visited the Philbrook Museum of Art in Tulsa, Oklahoma. The art museum is housed in the former Villa Philbrook, the home of Oklahoma oilman Waite Philips (January 19, 1883 – January 27, 1964) and his wife, Genevieve. In the early 1900s, Phillips joined the oil company founded by his brothers – you many have heard of it: Phillips Petroleum Company, the parent of Phillips 66. Waite Philips struck out on his own in 1914 as an independent oilman in a petroleum enterprise that would last nearly four decades. The philanthropic efforts that he started in his lifetime continue to benefit others, in many ways, to this day.
Much of the gardens are formally managed for a neatly manicured look – it’s not something that’s commonly seen in western U.S. botanic gardens, but those gardens don’t have a lot of moisture to work with. The gardens at Philbrook were originally designed by S. Herbert Hare and Edward Buehler Delk, landscape architects from Kansas City, Missouri. They were inspired by Villa Lante, a country estate in Italy designed in 1566. The perspective in the photo above looks east from the villa across the formal garden toward the tempietto (Italian for “small temple”).
Philips established his company’s headquarters in Tulsa in 1918, and later built several high-rise office buildings, including the Philtower and the Philcade, as well as the 72-room Villa Philbrook just southeast of downtown Tulsa. As you might surmise, Waite was doing pretty well in the oil biz, and also enjoyed incorporating his surname into his properties; those familiar with the Boy Scouts of America might recognize the name of Philmont Scout Ranch, a 140,000-acre property in New Mexico that Philips donated to the BSA. In 1938, Phillips donated Villa Philbrook to the city of Tulsa for use as a center of cultural interests; Waite and his family moved downtown to the penthouse of Philcade, and the city developed Philbrook into a world-class art museum that opened in October 1939. The property is situated on 25 acres of land, which allows plenty of room for both formal and informal gardens along with many exterior art installations (in addition to the thousands of pieces inside the museum).
About midway between the villa and the tempietto, this gently bubbling fountain separates the formal garden from a rock garden and then an informal garden. The domed and columned structure was a favorite background for family photos.The tempietto is clearly a popular feature of the gardens – we walked by it several times with hopes to get a photo with no one in it, but it was not to be (and I don’t blame folks for wanting to check it out). We were reminded, however, of being in Utah’s Arches National Park and trying to get photos of natural rock structures without people on them: nigh impossible. The gardens are, understandably, often used as a setting for wedding photography and other formal portraits.This pretty bough belongs to a tree that is one of the many in the gardens that was not familiar to us: it’s a bald cypress, This species, native to the southeastern United States, grows to a height of 35 to 120 feet, with a trunk up to 6 feet in diameter. The needles turn a brown-red in the fall.I recognized, generally, the hosta plants (seen on the right side, with the brighter green and broad leaves); there are dozens of cultivars of hosta, and we had some at our old Denver home. Some varieties of hosta have leaves that can spread up to a foot in width. The ferns in the foreground are a little harder to grow in arid climates (at least by me, anyway).The focus of the gardens is obviously plants, but there are plenty of sculptures and other artwork to appreciate as well. This is Thinker on a Rock, a 1996 bronze sculpture by British artist Barry Flanagan. This is one of eight casts of the work, six of which are on display around the world. Much of the artwork in the gardens features whimsical takes on animals.Here we see a visitor to the gardens (it’s Nancy) standing on a piece of art – but it’s totally cool because this full-size cabin is itself a work of art as well as a place to make art. Designed by artist Karl Unnasch, SLUMGULLION (The Venerate Outpost) is a permanent exhibit at Philbrook The wood on the exterior came from an 1800s log house, and the windows are made from repurposed glass. Check out the roof: the tiles are actually old t-shirts that have been dipped in resin. Inside, the studio has plenty of space for visiting individuals and groups to make their own art projects.The beautiful stained-glass windows inside SLUMGULLION, made from bottles, plates, and other glass products, lend a colorful sense of lighting within the cabin.This cozy area is just outside SLUMGULLION, and was a fine place for Waite Philips to enjoy a pleasant evening with his family and friends. The museum and gardens today attract 140,000 visitors each year to tour the property as well as for special events.Most of the gardens at Philbrook are pretty to look at, but the Victory Garden has a purpose: it produces hundreds of pounds of fruit, vegetables, and herbs, much of which are donated to Tulsa-area food banks. Many of the plants at Philbrook are native to much more humid environments than Nancy and I are used to, but we definitely recognized the onions in the foreground as well as the hops plants growing on the geodesic dome. The flower cones of hops contain lupulin, the chemical compound that gives beer its distinctive and delicious bitter flavor and pleasing aroma. We had several hops plants at our former home in Denver, but we made only one batch of beer with the cones; it takes a lot of hops to make beer.Botanic gardens, especially those with water features, attract a significant variety of wildlife – it’s one of the reasons we enjoy visiting them. True to its name, a brook flows gently through the grounds of Philbrook, and a bridge spanning that watercourse served as a perch for this red-shouldered hawk. This species is found mostly in the eastern half of the United States, although there is a population along the California coast.I put my digital camera next to this artwork to show the size of a hippopotamus sculpture by American artist John Kearney (August 31, 1924 – August 10, 2014). Much of Kearney’s artwork is constructed of repurposed chrome automobile bumpers. He learned to weld as a sailor for the U.S. Navy during World War II.
We’ve been to many botanic gardens, but most of them have been in the West (in the cities of Denver, Albuquerque, and Tucson, among others). This was a relatively new experience for us: gardens that benefit from more than a foot of natural precipitation per year. While many botanic gardens also display some artist-constructed exhibits, I think Philbrook – perhaps because of its reputation as an art museum first – does more than most.
We didn’t spend much time inside the art museum itself, but it is a world-recognized venue with a permanent collection of more than 16,000 pieces; as of this writing, it’s hosting a temporary exhibit featuring European paintings like Rembrandt and Monet.
We really enjoyed our time in the gardens at Philbrook; there are a number of reasons to visit Tulsa, and being able to spend time in a former oil baron’s backyard is near the top of the list.
“The Air Capitol of the World” – it’s a bold thing to call a city. Our whirlwind tour of south-central Kansas concluded in late May 2022 with a trip to the Kansas Aviation Museum in Wichita. We soon learned that Wichita is wholly deserving of its “Air Capitol of the World” title.
By the way, in addition to the Air Capitol of the World, Kansas is also the location of the Disc Golf Capitol of the world, the Global Design Capitol of the World, the Barbed Wire Capitol of the World, the Cowboy Capitol of the World, and the Catfish Capitol of the World — and that’s just the first page of Google results.
But back to the Air Capitol of the World, which is represented by the Kansas Aviation Museum. It’s really an outstanding museum that details the history of not just general aviation but aviation directly related to Wichita — which, as it turns out, also shares many of the names of the history of aviation in the United States: Cessna, Stearman, Beech, Boeing, and more.
The Kansas Aviation Museum is located in the terminal of the former Wichita Municipal Airport (ICT). Ground for the art-deco-style building was broken in 1930, but a loss of local and federal funding due to the Great Depression soon led to a work stoppage. Financial resources from the Works Progress Administration and President Franklin D. Roosevelt’s New Deal program allowed construction to resume in 1934, and the terminal building was dedicated on March 31, 1935. The control tower was added in 1941, and wings on either side of the terminal were added later in the same decade. (That’s Nancy at the corner of the building, waiting patiently for this photo to be taken; her patience was rewarded by being included in the photograph.)
The mid-continent location of Wichita Municipal Airport made it one of the busiest commercial airports in the country: in 1944, a takeoff or landing occurred every 90 seconds. World War II brought significant growth in Wichita’s aviation industry, including a decision by Boeing to build bombers and other aircraft in the city. That expansion, including a new U.S. Air Force base with 6,500 personnel, brought a lot of jobs to the city but it also necessitated relocating Wichita’s airport to a larger facility. By 1954, nearly all commercial and private air traffic was being managed at what is now National Dwight D. Eisenhower National Airport. The original municipal airport facility was used by the USAF and Kansas Air National Guard for a few decades, but the building was eventually abandoned by 1984.
The building and grounds are a perfect location for an aviation history museum, however, and the Wichita Aeronautical Historical Association, leasing the property from the City of Wichita, opened the Kansas Aviation Museum on April 19, 1991. The facility includes a number of large exhibits devoted to different aspects of aviation, including the Engine Room, which displays examples of propellers, landing gear, and engines, many of which were made in Wichita; exhibits detailing the history of Wichita-based aircraft companies like Beech, Cessna, and Ryan International Airlines; and many full-size original private and military aircraft.
Let’s start with a visit to the Engine Room, shall we?
Curtiss OX-5 Engine
This 8-cylinder engine, producing 90 horsepower and 1,400 revolutions per minute, was the powerplant of the Curtiss JN-4 airplane. Known as the “Jenny,” the Curtiss Aeroplane Company developed the aircraft as a trainer for the U.S. Army in 1915. So many pilots learned to fly in the Jenny that it was called “the airplane that taught America to fly.” Curtiss built a total of 6,813 Model JNs, ending production in 1927. The airplane remained very popular following World War I and was heavily used in the barnstorming craze that led to the rise of civil aviation in the United States. This engine weighs 390 pounds, about a third of the Jenny’s total weight of 1,390 pounds. Nancy and I saw a replica of a JN-3during our visit to Pancho Villa State Park in New Mexico in December 2021. The state park is the site of the former Camp Furlong, at which the first military airfield in the United States was built in 1916;.
Wright Whirlwind J-5 Engine
This important engine was introduced in 1925 to power a number of aircraft built in Wichita, including the Travel Air 2000, 3000, and 4000, as well as the Laird (later Stearman) Swallow (see below). An engine of this type drove the propeller of the Spirit of St. Louis, a custom-built monoplane, across the Atlantic Ocean during Charles Lindbergh’s first solo transatlantic flight in May 1927. The Wright Whirlwind produced 220 horsepower at 2,000 RPM.
1934 Link Trainer AN-T-18
When I first saw this machine from a distance, I thought it was a toy. Edwin Link’s family produced pianos and organs, and Link used that experience with valves, bellows, and pumps to develop this instrument flight simulator. The machine used organ bellows to make the trainer pitch, roll, and yaw in response to a pilot trainee’s movements.
I wasn’t terribly far off from thinking it was a toy, though. The U.S. Army Air Corps didn’t think much of the simulators at first, and the first sales of the trainer came as carnival rides. However, when 12 Army pilots were killed in a 78-day period due to their lack of training in flying under instrument conditions, the Air Corps was compelled to find a solution. In 1934, Edwin Link flew to a meeting in foggy conditions that were perceived as unflyable, and the Army Air Corps ordered its first six Link Trainers at a cost of $3,500 each. During World War II, more than 10,000 Link Trainers were built to familiarize more than 500,000 U.S. Army and Navy pilots with flying under instrument conditions.
Here’s a pretty nifty display of wooden airplane propellers, all of which were made in Wichita (the one in the middle was constructed by the Supreme Propeller Co. of Wichita).
Cessna 206 Super Skywagon Wing
Along with engines and propellors, this section of the museum illustrated how aircraft wings work. The elliptical design of the wing provides lift when the airplane is pulled forward by a propeller or pushed from behind by a jet engine. This is the left wing of a 1964 Cessna 206. The six-seat Super Skywagon was introduced in 1964 and remained in production until 1986 when Cessna ceased production of single-engine aircraft. The company reintroduced the 206 in 1998 and the aircraft remains in production. The 206 model, renowned for its stability and reliability, could carry a thousand pounds of passengers and/or cargo, which led to it being known as “a flying pickup truck.” See below for a picture of a Cessna 206 with both of its wings, along with all its other parts.
General Electric/Allison J35-A-13 Turbojet Engine
In addition to propeller engines, the museum has a good selection of early jet engines. This jet engine was first developed by General Electric in 1946, but the Allison division of General Motors took over production of the engine the following year. More than 14,000 of these engines were built by the time production of the J35 ended in 1955. It was used in a number of experimental aircraft, as well as the production fighters North American FJ-1 Fury, Northrop F-89 Scorpion, and the Republic F-84 Thunderjet (see below). This engine weighs more than 2,800 pounds and produced 5,200 pounds of thrust.
Now, on to the West Hall’s display of vintage aircraft.
Replica of an early 1920s Laird Swallow
E.M. Laird Airplane Company was formed in Wichita in 1920. The company’s first airplane, the Wichita Tractor, took flight on April 8 of that year, and an onlooker remarked, “She flies like a swallow, boys.” The Laird Swallow was the first commercially produced aircraft in the United States, and only 43 models were constructed. No original Swallows are known to exist, thus this replica (from which the sides of the fuselage have been removed so one can see the inner workings). The Swallow had a top speed of 86 MPH.
An interesting note: a couple of the original principals of the company, Lloyd Stearman and Walter Beech, would later join with Clyde Cessna and Walter Innes to create the Travel Air Company in 1925. Travel Air was the biggest aircraft manufacturer in the United States three years later, and was the prime contributor to Wichita being named the “Air Capital City.”
1931 Stearman Model 4D
Developed in 1930 from earlier Stearman designs, the Model 4 was developed with a deeper fuselage and more powerful engine that enabled it to carry heavier cargo loads than its predecessors. This is one of only four Model 4Ds to have been constructed, and a total of 41 Model 4 variants were finished. Stearman Model 4 aircraft were in the fleets of Varney Airlines (now United Airlines), American Airways (now American Airlines), and Standard Oil Company. This particular craft, which sold for about $16,000, was first used by Texaco Oil Company until its retirement in 1936. It was later used for crop dusting, and still later for mosquito control for the Tennessee Valley Authority in Alabama. It had a top speed of 145 MPH and a range of 500 miles, weighing 3,800 pounds. Its wingspan is 38 feet and the length is just shy of 27 feet. The Kansas Aviation Museum completed the restoration of this beautiful airplane, featuring its original livery, in 2014.
1944 Beechcraft D175 Staggerwing
During the U.S. Great Depression, aircraft executive Walter Beech and airplane designer T.A. “Ted” Wells collaborated on a biplane project intended solely for the use of business executives. The Beechcraft Model 17, later known as the “Staggerwing,” first flew on Nov. 4, 1932. The aircraft got its nickname because of the wing configuration: the upper wing was placed behind the lower wing to improve pilot visibility. This aircraft featured retractable landing gear, which was not common at the time, and boasted a range of 670 miles with a top speed of 212 MPH. The wingspan is 32 feet and the craft is almost 27 feet long, with a gross weight of 4,250 pounds. Note that the Wichita Municipal Airport was not originally designed to display aircraft in its interior, and part of the fun of visiting the museum is wondering how the airplanes got into the building for display.
Before going outside to see the aircraft on display out there, take a look at the ceiling above you:
Throughout its usage, beginning as an important midcontinental airport through which aviation luminaries such as Amelia Earhart and Charles Lindbergh walked, up to today’s usage as a museum, the building’s art-deco inspiration has remained intact. These ceiling treatments also acknowledge the building primary use: a home – temporary or permanent – for airplanes.
Now, let’s proceed outside for a look at a few of the 14 aircraft on display.
Republic F-84 Thunderjet
Republic Aviation, based on Long Island, New York, is famous for its design and production of several World-War-II-era and post-war aircraft, including the P-47 Thunderbolt fighter, the F-105 Thunderchief, and the F-84 Thunderjet. First flying in 1946, the Thunderjet was plagued by a variety of problems that nearly caused the U.S. Air Force to cancel the program. However, after some significant design improvements, the F-84 became the Air Force’s primary strike aircraft during the Korean War and would fly more than 86,000 sorties during that conflict. The Thunderjet was the first production aircraft to be capable of inflight refueling, as well as the first fighter that could carry a nuclear weapon. The F-84 was also the first aircraft to be used by the Air Force Thunderbirds aeronautics team. More than 7,500 F-84s were built. The General Electric/Allison J35-A-13 turbojet engine, shown above, was used in the F-84. With later variations and improvements in performance, the F-84 could fly up to 622 MPH.
Lockheed T-33B Shooting Star and Boeing B-52D Stratofortress
First flying in 1948, the Lockheed T-33 (shown in foreground) was used by the U.S. Air Force and Navy as a trainer for its jet pilots. More than 6,500 Shooting Stars were manufactured until production ceased in 1959. In addition to the United States, military branches of 43 other countries used the T-33 to train their pilots. The last operator of the T-33, the air force of Bolivia, retired its aircraft in 2017 after having used Shooting Stars for 44 years. The T-33 had a maximum speed of 600 MPH.
You might also notice the Boeing B-52D bomber, the big boy in back of the T-33. Introduced by Boeing in 1952, the jet-powered Stratofortress continues to be in service with the U.S. Air Force and is expected to remain so into the 2050s. It has outlasted more advanced bomber models introduced after it, like the Convair B-58 Hustler, the Rockwell B-1 Lancer, and the Northrop Grumman B-2 Spirit. Originally manufactured in Boeing’s Seattle plant, the B-52 was built in Wichita beginning with this B-52D model in 1957 and continuing through the B-52H model in 1963. A total of 742 B-52s were built in Seattle and Wichita, and about 50 of them are still in service. Powered by eight Pratt & Whitney turbofan engines, the final B-52H production model has a maximum speed of 650 MPH, a service ceiling of 50,000 feet (nine and a half miles above the Earth) and a ferry range (when fully loaded with fuel) of just over 10,000 miles and a combat range (while carrying ordinance) of 8,800 miles. For reference, the diameter of the Earth at the equator is 7,917 miles. With a wingspan of 185 feet, as Nancy pointed out, if a B-52 was parked so that its nose was on the 50-yard line of a football field, its wings would stretch to each of the 20-yard lines (as a comparison, a Boeing 737 passenger airliner has a wingspan of about 117 feet).
Boeing B-47 Stratojet
We saw an example of this bomberin Albuquerque, New Mexico, during a visit to the National Museum of Nuclear Science & Historyin late 2021, but it was fun to see this aircraft on display in the city in which, like the B-52D above, it was built – the first B-47 was manufactured in 1951, in Wichita. The B-47 was the U.S. Air Force’s first swept-wing bomber capable of flying at both high altitude and supersonic speed, with a maximum speed of 607 mph and a ferry range of more than 6,400 miles. When you fly on a commercial jet airliner today, you’re benefiting from technology and aeronautic advancements that were first made with the development of the Stratojet.
Cessna 206
It’s really rewarding to see examples of Wichita-made military aircraft that, in addition to helping protect our country, led to the development of so many aeronautical innovations we take advantage of when taking a cross-country (or cross-ocean) flight. For me, however, whenever I think of Wichita aircraft companies, my mind first goes to Cessna. My dad, Steve Goering, was born and raised just north of Wichita and got his private pilot’s license as a very young man. He has piloted Cessna models 150, 170, 172 and 182, along with a number of other fixed-wing aircraft and helicopters. This is an example of a Cessna 206, an extraordinarily popular model of aircraft (along with the models 205 and 207) that is used for commercial air service as well as personal use such as aerial photography.
Cessna was founded in Wichita in 1927 by Clyde Cessna and a partner, who quickly sold his share of the company to Cessna. The company was purchased by General Dynamics in 1985, and then by Textron in 1992. It, along with Beechcraft and Hawker Aircraft companies, is now a brand of Textron.
We’ve been to a number of aircraft museums in the months since becoming full-time RVers, but the Kansas Aviation Museum sticks out for me simply because of the history that the city of Wichita has with the science of flying. Its displays will teach you how airplanes fly, either with engine-driven propellers or with jets, and provide you with up-close views of some of the most popular aircraft produced — many in Wichita — in the last 100 years. Seattle, Washington, can certainly be proud of its aviation history as well, but I don’t think there’s a museum showing the depth of home-grown aeronautical innovation – from this Cessna 206 to a Boeing Stratofortress – quite like Wichita’s.
One day – I think it was a Tuesday but I could definitely be wrong – about 35 million years ago, a volcano began erupting in what is now southwestern New Mexico.
Somewhat later, on January 8, 2023, Nancy, Gunther and I visited City of Rocks State Park, located about 20 miles south of the caldera that produced the eruptions. The pumice and other rocks produced by the volcano’s eruptions 35 million years ago form the main feature of the state park, which also has a number of interconnected hiking trails, developed campsites, a botanic garden, and even an astronomical observatory.
We’d planned to visit he park, which is located halfway between Deming and Silver City, New Mexico, just a few miles east of U.S. Route 180, several times in 2021 and 2022 when we were camping in Deming and Silver City. However, the 35 mile-per-hour winds each of those days convinced us to find something else to do. The morning of January 8 was bright and calm, and we made the short trip to the state park. We’re all glad that we did.
You’ll find plenty of prickly pear cactus at City of Rocks State Park in New Mexico, along with a wide variety of other plants. In the background, a vehicle provides a sense of scale for the namesake rocks near the park’s visitor center.
The park, at an elevation of just over 5,200 feet, gets its name from several tall outcroppings of rock that have eroded over the past 35 million years into pinnacles and other formations, separated by lanes that resemble city streets between tall buildings.
Here we see an amateur geologist, with her professional dog, on one of the park’s trails. They appear to be in disagreement about which direction to proceed. The park has about five miles of trails, some of which wind directly through the rock formations. Many of the pinnacles are 40 feet tall.
Paths between the rocks can get pretty tight. During the main phase of the volcano’s eruption, more than 240 cubic miles – about twice the volume of Lake Erie – of pumice and ash were ejected. This eruption also resulted in the “Kneeling Nun” formation east of present-day Silver City, 20 miles to the north. The pointed mountain seen between the two rocks is Cookes Peak (elev. 8,408 feet), a significant landmark in southwestern New Mexico. The mountain is directly north of the city of Deming.
The volcanic eruption that formed the formations of City of Rocks likely lasted several years and was about a thousand times larger than the Mt. St. Helens event in Washington on May 18, 1980. The eruption blanketed this area in a deep layer of hot ash and pumice. As those volcanic materials cooled into a rock called tuff, it shrank somewhat and vertical cracks in the stone were created.
They still haven’t agreed on a direction in which to hike. The park has a huge variety of succulents, like the soaptree yucca at the left of the trail, as well as many grasses common to the southwestern United States.
Over the last several tens of millions of years, the erosive forces of nature – water, wind, and organic growth – broadened the small fissures between the rocks into larger and larger crevices until the natural pathways seen today were created.
Now they’re both headed the same direction. The amateur geologist is standing in a crevice that is a conduit for water flowing through the rock formation. It’s that water, which carries abrasives like sand, that helped carve the rocks into the shapes we see today. Other contributors to the erosion include wind, which can also carry sand, as well as plant (and non-plant) life and the cycle of freezing and thawing water.
Many different groups of native Americans have lived in, or at least passed through, the area now known as City of Rocks. About 12,000 years ago, the last of the Ice Age glaciers were retreating and large mammals like mammoths and mastodons roamed this region. It’s likely that Paleoindians, like Clovis or Folsom peoples, hunted the large animals. Between 8,000 and 1,000 years ago, small bands of the Desert Archaic culture lived in the area and, toward then end of that era, began to build pit houses. Finally, the Mimbres culture occupied the area between the years 200 and 1150 AD. In addition to hunting animals and gathering food from plants, the Mimbres cultivated crops like beans, squash, and maize. They also built one-story above-ground dwellings.
Do you like lichen as much as I’m likin’ this lichen? There are about 20,000 known species of lichen in the world, and at least four of them can be seen in this photograph. Lichen, which is plant-like but not an actual plant, contributes slowly but significantly to the erosion of rocks by chemically degrading the stones’ minerals. The scientists estimate that between 6-8 percent of the earth’s land surface is covered by lichen. Actual plants, like succulents, grasses and shrubs, also contribute to erosion by their seeds finding purchase in small crevices in the rock and then, as the plants mature, the growing roots of the organism can cause further fracturing of the minerals.
Getting up-close and personal with the rocks allows one to see some pretty fascinating natural patterns caused by erosion. I sure hope that whoever dropped those keys comes back by to pick them up! (Just kidding – they’re mine. Still need to go back and pick them up.)
Because the park is 25 miles from the nearest city of any size, it’s a popular site for stargazing at night. This structure is an astronomical observatory located near the main campground in the park. The roof slides back onto the supports in the back to reveal the telescope. It was not in operation during our visit (as you can see, it was daylight), but the park does host regular star parties during which the observatory is open and other amateur astronomers bring their own telescopes to share views of the night skies.
This magnificent succulent specimen, about 20 yards off the trail, is desert spoon (Dasylirion wheeleri). I didn’t want to get off the trail to take a closer picture, so this will have to do. The fronds of desert spoon were used by native Americans to weave baskets and mats, and its inner core can be fermented into an alcoholic drink, similar to tequila, called sotol. It is found in southern New Mexico and Arizona, as well as parts of Texas and Mexico. The plants themselves grow to about 5 feet tall, but the flowering spike can soar 16 feet into the air.
Here’s another interesting succulent found along the trail. This long-spined, purplish prickly pear is called long-spined purplish prickly pear (really) (Opuntia macrocentra). It, too, is found in Arizona, New Mexico and Texas, along with Mexico. Like other prickly pears, the fruit of this cactus is edible and is enjoyed by animals and humans alike.
But it wasn’t simply succulents we saw – we also spied several species of sparrows! Here’s a chipping sparrow (Spizella passerina) perched in some mesquite. We’ve enjoyed seeing plenty of these pretty little birds in southern New Mexico this winter.
While most of the pictures in this posting were taken with the camera on my phone, I used my digital camera to take this photo of Cookes Peak. The tall spindly shrub in the lower left corner is ocotillo (Fouquieria splendens), which can grow to more than 30 feet in height. It is native to the Chihuahuan and Sonoran deserts in the United States and Mexico. Native Americans used different parts of the plant to address a variety of ailments, and ocotillo can also be planted to serve as a natural fence.
A short spur off the main trail took us to the top of a 300-foot hill that provided a tremendous 360-degree view of the area. In this photo, the rock formations of City of Rocks are in the midground (the white streaks above the center of the photograph are campers’ recreational vehicles parked amongst the rocks, and the light brown building to the left of the RVs is the park’s visitor center). The tallest mountains on the left horizon are the Cobre Mountains, 16 miles away, and the Pinos Altos range, 30 miles in the distance, is just to the right of the Cobre Mountains.
This eye-catching grass is cane bluestem (Bothriochloa barbinodis), a valuable forage for ranchers but one of the first grasses to disappear if a pasture is overgrazed. The seed heads catch the sun in such a way as to look absolutely illuminated from within.
When we walk by a creosote bush (lower left), I like to rub my fingers on the leaves – they smell just like the air outside after a rainstorm. Along with seemingly every other plant, Native Americans found many medicinal uses for creosote. In the background is Table Mountain, the tallest point in City of Rocks State Park. The distinct layers of rock seen on the mountain’s slopes are due to different volcanic ashflows more than 30 million years ago..
If you plan to visit City of Rocks State Park, you’ll want to do make plans to do so soon-ish. The erosional forces that created the cracks between the rocks continue to degrade the stones even today (I mean, you saw all the lichen), and in several million years the whole area will just be flat.
Nancy and I definitely enjoyed our time in the park – it was a lovely day, with highs in the low 60s and very calm breezes, and the 4-mile hike gave all of us some great views and good exercise (Monday, January 9, was a day of relaxation and recuperation for Gunther). We plan to take the Goddard to the park in the next few years for some actual camping – it has more than 40 developed sites – and it has some other trails that we haven’t yet enjoyed.
In addition to the Cosmosphere, a world-class space science museum, the city of Hutchinson, Kansas, features another prominent attraction: the only salt mine in the country that’s open to the public. Have I got your attention yet? Read on!
Formerly known as the Kansas Underground Salt Museum, Strataca is owned by the Hutchinson Salt Company, which began operations in 1923 as the Carey Salt Company. Nancy and I visited Strataca in late May 2022.
The salt extracted from the mine is not the type that you’ll find in your kitchen salt shaker. There are a number of impurities in the mineral, which makes it ideal for managing icy roads and for feeding livestock.
Strataca’s story begins, as do all of the good ones, in the late part of the Paleozoic Era, known as the Permian Period, about 275 million years ago. Kansas, along with much of the rest of present-day North America, was covered by a vast inland sea. The waters eventually receded, leaving behind an immense deposit of salt that, over tens of millions of years, was covered with layers of shale and other sediments like sand, gypsum, and silt. That 275-million-year-old deposit of salt is now 650 feet below the Kansas prairie.
The museum has been at this location on the east side of Hutchinson since 1986. Of the 15 salt mines in the United States, Strataca (née the Kansas Underground Salt Museum; the name was changed in 2013) is the only one that is open for visitor tours. I’m trying to remember to take pictures of the exteriors of the museums we see; it seems that the American flags are flying at half-mast more often than not. We visited Strataca on Memorial Day.
A double-deck elevator takes two sets of up to 15 people each on a four-minute trip 650 feet down into the bowels of the earth. (It’s not really the bowels of the earth; the top crust of the earth, which makes up about 1% of the radius of our planet, has an average thickness of nine to 12 miles. In other words, the 650-foot elevator ride takes visitors down about 1% of 1% of the earth’s radius. Still, the elevator ride is pretty neat!)
Excavating the shaft for this visitor elevator was no mean feat. In addition to penetrating hundreds of feet of sedimentary rocks, the shaft also had to descend through part of the Ogallala Aquifer – one of the world’s largest natural underground reservoirs. The aquifer is about 130 feet thick at the site of the museum. To construct the shaft, engineers used liquid nitrogen to freeze the area of the aquifer immediately surrounding the planned shaft, then excavated the ice and replaced it with a concrete liner. The process was completed in 15-foot increments, and took just over a year between March 2004 and March 2005.
Upon exiting the elevator, visitors enter a large chamber filled with interesting exhibits that tell the wondrous story of sodium chloride (NaCl). As you can see, every visitor has to wear a hard hat. I jostled my way to get a blue one. The temperature in the mine year-round is 68 degrees Fahrenheit, with a relative humidity of 45%.
Let’s go back topside for a moment. This map, located in the museum’s visitor center, shows the extent of the mine (in yellow) with the rest of the city of Hutchinson to the west (left). The 1.5-square-mile mine is immense; if each of the excavated areas was lined up in a straight line, the chamber would extend for 150 miles. Pillars of solid rock salt, 40 feet square, are left to separate each chamber and support the upper level of salt.
Okay, back down into the bowels of the earth 650 feet below the surface. Here’s a closeup of the salt deposit. As you can see, it’s quite different from the Morton’s that’s in your kitchen cabinet. The sodium chloride is mixed with a number of other minerals, including shale and sulfur compounds, which is why it’s primarily used to de-ice roadways.
The year 2023 will mark a century of mining by the Hutchinson Salt Company (formerly Carey Salt). It mines in the room and pillar process. This involves excavating, with the use of explosives, large chambers alternating with square pillars, measuring 40 square feet, that support the upper level of the mine. The process results in something of a checkerboard pattern, if it could be viewed from above. The mine’s chambers are very large, ranging from 2,500 to 15,000 square feet in size, with ceiling heights of 11 to 17 feet. The room and pillar method differs from traditional precious metal mining, in which miners follow the vein of gold or silver ore, for instance (unless it’s more cost-efficient to simply take an entire mountain apart, which seems to be happening more often).
Strataca has retained a lot of Carey Salt’s equipment from the early days of the mine (I’m guessing partly because it would cost time and money to return them to the surface, but it’s still fun to see the specialized equipment). The machinery is fairly well-preserved, considering the relatively high humidity; the salt can’t be good for metal parts, though. This machine was used to cut long slits at the bottom of a salt wall; when explosives in the wall were detonated, the slit ensured that the salt fragments fell forward into the chamber.
The excavation takes place in much the same way today, but using modernized equipment. The rock salt fragments are transported via conveyors to crushers, then taken to the surface using large buckets on a hoist. When operating at capacity, the skip, or mine elevator, can carry four tons of salt to the surface every three minutes. The skip is also used to transport miners into and out of the operation. Miners formerly used a rail system to move about the operation underground, but have since started using old junk cars that have been modified to run on bio-diesel fuel. Developed almost entirely from old cooking oil, the burning of bio-diesel doesn’t leave particles suspended in the environment. There are many instances of several generations of Hutchinson families being employed by the mine.
This was an interesting exhibit; it’s essentially a waste dump site. Early in the mine’s history, employees would leave their empty food packaging underground because it was more cost-effective to use the skip to transport either rock salt or miners. The salty environment, well away from the sun’s ultraviolet rays, has preserved the trash remarkably well; a lot of the sandwich wrappers and empty drink cups look like they were tossed aside last week instead of in the 1950s.
Nancy and I went on a couple of different guided tram rides through the mine. We got to see chambers that were excavated decades ago, using earlier mining methods. The mining company has placed a number of environmental sensors throughout the operation, which provide early detection of any possible shifting of the rock salt walls. The Mine Safety and Health Administration, which oversees operations in U.S. mines, considers this salt mine one of the safest in the world.
Nancy really enjoys being underground. I mean, really. She’d been looking forward to visiting the Hutchinson salt mine for a number of years, and we both had a great time. Luckily for us, our underground adventures were only beginning – we’d be able to descend into the bowels of the earth natural caves at two U.S. national parks in the months to come. Multiple times at each cave, even!
A salt mine might seem like something of a “so what?” kind of experience. But it’s the salt that comes from this mine, and others like it, that keep our roads safe to drive in wet and freezing weather. We’re glad we went, and, combined with the Cosmosphere, Strataca makes an excellent reason to visit Hutchinson.
Hutchinson, Kansas, seems to be an unlikely place for a world-class museum devoted to space exploration. The state’s main economic driver, by far, is agriculture: Kansas ranks in the top 10 states in the country for revenue from beef cattle, corn, hay, hogs, soybeans, sunflowers, and wheat (40 percent of all the winter wheat grown in the United States comes from Kansas).
However, the Sunflower State’s motto is “ad astra per aspera,” which, as you’ll recall from your Latin learnin’, means “To the stars through difficulties.” The motto is more a recognition that the state succeeded despite struggles with Black slavery, relationships with Native Americans reluctant to give away their homelands, and the U.S. Civil War than a resolution to actually travel to space, but I think it’s inspiring nonetheless.
Nancy and I visited the Cosmosphere in late May 2022.
This is a reproduction of the Bell X-1, the jet in which USAF Captain Chuck Yeager first broke the sound barrier (Mach 1, or about 700 mph) on October 14, 1947. The original X-1, Glamorous Glennis, is on display at the National Air & Space Museum in Washington, D.C. Fittingly, the original X-1 is next to the Spirit of St. Louis, in which Charles Lindbergh made the first solo transatlantic flight. The X-Plane program, of which the X-1 was the first craft, began in 1946 as a means of developing aerodynamics, engines, and other factors of high-speed and high-altitude flight. (The idea that the sound barrier was broken the year after the program’s start is, to me, kind of mind-boggling). The breaking of the sound barrier with a straight-wing aircraft came as a surprise to many aerospace experts, who believed that a swept-wing design was necessary for supersonic flight. X-1 flights ended in 1958, and by then the jet had flown at speeds approaching 1,000 mph and at altitudes close to 72,000 feet. In 24 years of testing, more than 40 X-Plane pilots were killed in expanding mankind’s knowledge of aeronautics. The experiments showed, however, that it was possible to break Earth’s gravitational pull and leave the planet’s atmosphere. They helped develop today’s vehicles that soar through our skies and the space around us. (Incidentally, and while it wasn’t necessarily built for speed, the Spirit of St. Louis had a top speed of 133 mph in 1927 – only 20 years before Yeager’s historic flight.)
The Cosmosphere (which is, again, smack-dab in the middle of Kansas) is home to the largest combined collection of U.S. and Russian spaceflight artifacts in the world. Numbering more than 13,000 pieces, the Cosmosphere’s collection is second to only the Smithsonian Institution’s Air and Space Museum for U.S. artifacts and is second only to Moscow for its number of Russian artifacts.
The Cosmosphere’s significant 1997 expansion gave it space to display one of the 20 surviving Lockheed SR-71 Blackbirds. The SR-71 first entered service as a high-altitude reconnaissance aircraft in 1966. The aircraft had a top speed of 2,200 mph (Mach 3.3) with a service ceiling of 85,000 feet, or about 16 miles (the scientists have determined that Earth’s atmosphere ends, and space begins, at about 62 miles above the planet). Lockheed built a total of 32 SR-71s; 12 were lost in accidents but none were destroyed by enemy aircraft (if an oncoming missile was detected, the Blackbird pilot simply went faster). The SR-71 (this particular model has Air Force serial number 61-7961) makes for a really impressive exhibit, but it’s difficult to get a photograph of the entire craft. This was the second SR-71 we’d seen in just two months, we saw AF model 61-7951 at Tucson’s Pima Air & Space Museum in March; most of the other 18 surviving Blackbirds are also on display at aircraft museums and Air Force bases around the country (one is in England)
Given Kansas’s agrarian economy, it shouldn’t be a surprise that the Cosmosphere started as a planetarium, with a used projector and rented folding chairs, in the Poultry Building on the Kansas State Fairgrounds in 1962. It was one of the first public planetariums in the country. Four years later, the planetarium moved to the campus of Hutchinson Community College. In 1980, the Cosmosphere was expanded to a 35,000-square-foot facility, which included one of the country’s first IMAX® Dome Theaters and a three-level exhibit gallery (my first and only other visit to the Cosmosphere occurred sometime in the mid-1980s, while visiting family in Kansas). The Cosmosphere tripled its size in 1997, becoming an impressive 105,000-square-foot facility with room for educational events and other programs.
If you thought that the Moon looked a little smaller after the Apollo 11 mission to the Moon in July 1969, it’s likely because Neil Armstrong and Buzz Aldrin brought back some rocks when they returned to Earth. On exhibit in the lobby of the Cosmosphere, this is one of the few Moon rocks on public display in the world. Armstrong and Aldrin collected this rock during a three-hour walk in the Sea of Tranquility on June 20, 1969. Its mineral composition is basalt, which is an igneous rock formed from rapidly cooling volcanic lava. It weighs just under 5 ounces – it used to be bigger but the scientists cut it in to smaller pieces in order to study it – and the same scientists say that it’s 3.84 billion years old.
The German V-2 Rocket
The Cosmosphere has several large independent exhibits that tell the story of how the space race developed. One of these exhibits focuses on the development of the Vergetlungswaffe 2 (“retaliation weapon 2”), the V-2 rocket, and it’s simply an outstanding experience, with interesting displays of original hardware and plenty of explanatory panels.
It’s safe to say that putting mankind in space, beginning with launching manned rockets into the sky in the early 1960s, progressing to the Apollo missions to the Moon that started in 1969, and continuing with programs like Skylab (1970s), the space shuttles (1980s), and the present-day International Space Station, started with weaponry development during the buildup to World War II. Simply put, many of the other rockets exhibited in the Cosmosphere wouldn’t have been possible without the development of the V-2.
The V-2 rocket on display at the Cosmosphere was discovered in an abandoned warehouse in Huntsville, Alabama. It was acquired by the museum in 1989 and restored by SpaceWorks, a division of the Cosmosphere. The project took several years and restored the rocket to how it would have looked in the period of 1942-1943. The seated figure near the front of the rocket represents a Jewish prisoner; many thousands of Jews were forced to work on the hazardous rockets.
The Nazis sunk incredible financial resources into the development of the V-2, believing it would turn the tide of World War II because of its ability to strike opposing targets from more than 200 miles away. The V-2 was developed by a team led by Dr. Wernher von Braun, a brilliant rocketry scientist whose early work was influenced heavily by the tests performed by Dr. Robert Goddard (early in his career, von Braun corresponded with Goddard regarding the latter’s experiments). Von Braun was very interested in sending mankind to space, and saw the V-2 program as a way to further his research into rocketry. His interest in space exploration almost led to his execution by German officials, who believed von Braun wasn’t sufficiently focused on creating a weapon of destruction and instead wanted to create a way to travel to the stars. Only the doctor’s relationship with a Nazi official who had Hitler’s ear saved his life.
The V-2 was the first long-range guided ballistic missile. Between September 1944 and March 1945, Germany launched more than 3,200 of the rockets at targets in England, Belgium, and other areas in western Europe. The rockets were fired from mobile launch pads, which made it extremely difficult for Allied forces to find and destroy the launch sites. A V-2 firing battery consisted of 152 self-propelled vehicles, 70 trailers, and more than 500 men. Each battery could fire up to nine missiles per day.
A V-2 rocket stood more than 46 feet tall, weighed 27,000 pounds and flew 50 miles into the sky, but the engine was just over five feet long and weighed just over one ton. Incredibly, that engine created 56,600 pounds of thrust while burning 33 gallons of alcohol and liquid oxygen every second.
The rocket carried a one-ton payload of high explosives to the edge of space, 250,000 feet above the earth, more than 200 miles to its target. When it began its return to earth, the V-2 reached speeds of 3,500 miles per hour – faster than the sound that it created, which meant that it exploded on the ground before the thunderous roar of its descent could be heard. Latter-day research has shown that a V-2 explosion created a crater 66 feet wide and 26 feet deep, displacing about 3,000 tons of material. From launch, the V-2 took only 4 minutes to reach its target (for reference, the width of the state of Colorado is a little less than 400 miles, or about twice the distance that a V-2 traveled).
V-2 attacks killed more than 1,700 Belgians in Antwerp, and injured 4,500 more. In London, more than 2,700 civilians were killed by the rockets, with an additional 6,523 injured. As horrid as those numbers are, it’s estimated that development of the V-2 cost the lives of as many as 20,000 people in Germany – most of them Jewish prisoners who died either from overwork or from accidental explosions.
In its time, the V-2 was a defenseless weapon – when everything worked. Fortunately, the rocket involved incredibly complex engineering and everything rarely worked. While the Nazis continually refined the engineering to improve the weapon’s efficiency, the V-2’s development came too late in the war to have the kind of impact the Nazis expected. By war’s end, the development of the V-2 (and its predecessor, the V-1) cost Germany the equivalent of $3 billion – roughly twice the amount of money that the United States poured into the Manhattan Project to produce the atomic bomb.
World War II is ripe for “what-if” scenarios, and the V-2 development is a good one. Considering that the V-2 had an insignificant impact on the war’s outcome, compared to the carnage that occurred otherwise, the money and manpower that it cost could have been allocated to the production of more fighter aircraft and anti-aircraft missiles. If the Germans had better control of the skies over western Europe in 1944, the Allied invasion on D-Day may not have been possible and the slow but steady encirclement of Berlin by Allied and Russian forces wouldn’t have happened.
The exhibit at the Cosmosphere does point out, however, that if the invasion at Normandy hadn’t been possible, Berlin – rather than Hiroshima – may have been the first target of the atomic bomb.
In the immediate aftermath of Germany’s capitulation, both U.S. and Russian forces were on the hunt for von Braun and his team of rocketeers. Both sides wanted the expertise and equipment, but von Braun surrendered to the United States and he and his colleagues were brought to this country. The V-2 was examined and led to the development of the Cold War’s intercontinental ballistic missiles (ICBMs), and, in the interest of science, the rockets that would carry mankind into space beginning in the 1960s.
I’ve struggled – a lot – with how to write about this particular blog posting; it’s one reason I haven’t posted anything for several months, and I considered leaving all of the V-2 material out of it. However, I think it’s important to not shy away from the fact that humans can be horrible to one another. I’ve read a lot about German’s leading up to and including World War II, trying to understand why humans can be horrible. I’ve also read extensively about Wernher von Braun, trying to understand why he contributed his considerable scientific intellect to the development of a terrible weapon that killed thousands upon thousands of innocent people, either in targeted cities or in forced labor. Von Braun was absolutely furious that the Russians were first into space, first with a dog and then with a man, but he lived to see the results of the Apollo program that sent the first men to walk on the moon – using technology that von Braun helped develop while he worked at NASA. I’ve come to the conclusion (and it’s open for revision) that von Braun really did want to expand the science of rocketry – to send mankind into space – and he was able to do that. I’m a big proponent of many facets of space exploration, but I need to be more cognizant that much of that research has come at horrific costs.
There are a great many other fine exhibits (of which I took a lot of photos that seem to have disappeared into the ether; that’s probably okay because this posting would be even longer than it is) at the Cosmosphere, and it’s well worth a visit when you’re in central Kansas. I think I’ve written about this before, that museums like the Cosmosphere are a great opportunity to stretch one’s mind. Even if museums don’t have all of the answers, and, perhaps particularly if they sometimes don’t, it’s never a bad thing to learn.
(Editor’s note: alert readers may note that I haven’t posted any updates on this blog for several months. We did lots of things between visiting the Barbed Wire Museum in May and White Sands National Park in November, but I’m going to post this now and fill in the months in between.)
On Thanksgiving Day, Gunther and Nancy and I went to White Sands National Park. It’s near the town of Alamogordo (Spanish for “fat cottonwood”), New Mexico, where we camping for a week. We were a bit surprised at the number of people who’d also chosen to visit the park on Thanksgiving, but, judging from the languages and accents we heard, we think a lot of them were tourists from Japan.
White Sands was first declared a national monument in 1933 and was re-designated as a national park in 2019. Nancy and I visited the then-monument during a trek through New Mexico in 2015, but were happy to share the experience again with Gunther. White Sands is the most-visited of the two national parks in New Mexico; a typical year sees 600,000 people stroll, slide, stumble, and tumble down its dunes. During the last two years, the pandemic increased that visitation to more than 700,000 visitors annually. (Carlsbad Caverns National Park, the state’s other national park, receives about 440,000 visitors each year. Two of those were Nancy and me; more to come on that.)
White Sands National Park is on the northern edge of the Chihuahuan Desert, which encompasses about 175,000 square miles. This desert, the largest in North America, stretches 1,200 miles from Alamogordo southward well into Mexico.
We took a walk on the park’s Interdune Boardwalk, which provides a lot of introductory information about the park’s ecosystems, and then hiked a two-mile loop in the dunes themselves along a marked trail where backcountry camping is permitted. There’s not a path in the dunes; the wind would scour away any trail in the sand within a couple of days. Instead, the route is marked with tall posts.
That’s a grass known as little bluestem (Schizachyrium scoparium) in the foreground. Little bluestem is very common throughout the Great Plains and the intermountain west, and can survive in the desert here at White Sands National Park because the water table is typically only two or three feet below the surface. While on our hike, we noticed that the sand between the dunes was actually pretty wet. The Tularosa Basin, which includes the town of Alamogordo as well as the national park and White Sands Missile Range, is bordered by the Sacramento Mountains on the east (in the background of this photo) and by the San Andres and Oscuro mountain ranges on the west. The Tularosa Basin is about one-third larger than the state of Connecticut.
Some more rather staggering numbers regarding White Sands National Park: the sand has an average depth of about 30 feet, some of the dunes are 60 feet high, and the scientists figure that the dunefield contains about 4.5 billion tons of sand.
This photo, taken from the passenger seat of the Goddard’s six-wheeled towing unit, shows not snow, but sand. White Sands National Park features the largest gypsum dunefield in the world: at 275 square miles, it’s so big that it can be seen from space. (Great Sand Dunes National Park in southern Colorado measures about 30 square miles and contains several different minerals.) Only about 40 percent of the White Sands dunefield is in the national park; the rest is in the U.S. Army’s White Sands Missile Range (WSMR), which surrounds the park, and is strictly off-limits to the public. WSMR has an area of 3,200 square miles and is the largest military installation in the United States (it’s 32% bigger than Kit Carson County in eastern Colorado). The national park is occasionally closed to visitors because of missile testing on the range. The world’s first atomic bomb, Trinity, was detonated on the northern edge of the missile range on July 16, 1945, as a test prior to the United States releasing atomic bombs in Japan to bring World War II to an end.
Here we see a visitor to White Sands National Park and her ill-behaved dog (it’s Nancy and Gunther) on the Interdune Boardwalk, a short elevated trail with many exhibits along the way. A good variety of desert plants, including shrubs, grasses, and cacti and succulents, thrive in some parts of the dunes.
The sand is remarkably white, and remarkably fine – most of the grains are smaller than crystals of table salt or sugar. Where did all of the sand come from? The answer lies, as many do, with the fact that this part of the planet was covered by a vast inland sea during the Permian Period (about 300-250 million years ago). The waters eventually evaporated away and left immense deposits of gypsum (also known as the mineral calcium sulfate) in the former seabed. Tectonic activity then uplifted the mountain ranges on either side of today’s Tularosa Basin. Over tens of millions of years, rain slowly dissolved the gypsum deposits in the mountains and ancient rivers carried the minerals to today’s White Sands National Park. The dunefield is relatively new, geologically speaking: it’s only 10,000 years old.
Gypsum has a number of beneficial uses for humans: it’s the prime component of drywall, which is used in building construction, plaster of Paris, and toothpaste. It’s also found in all kinds of food, including canned vegetables, white flour, ice cream, and in the production of both beer and wine; people ingest almost 30 pounds of gypsum during their lifetimes.
The mineral’s usefulness led to the designation of White Sands as a national monument in order to protect the area, and its plants and animal ecosystems, from commercial development.
Soaptree yucca (Yucca elata) is a really interesting desert succulent. Native Americans had more than 100 uses for the plant, including as a source of food, fibers for the manufacture of textiles, and true to its name, soap. The stem of the soaptree yucca, which grows underneath the sand, can be many times longer than the height of the plant above ground. As sand moves and threatens to cover the plant, the soaptree yucca continues to elongate its stem so that the plant’s photosynthesizing leaves stay above ground.
The seed pods of soaptree yucca (shown here in their dried form at the end of November) had many uses for Native Americans, and they’re also important to the desert ecosystem. The park is home to 800 different animal species, 650 of which are moths. Thirty-five of the moth species are found only at White Sands. Several different types of moths are responsible for pollinating the soaptree yucca, and they also lay their eggs in the flower pods.
One thing the scientists don’t know is why Gunther enjoys running on the sand so much. He did this at Great Sand Dunes National Park in Colorado, and he’s done it on beaches at reservoirs and lakes. He’s kind of a nut.
The wind carves the sand on the dunes into all kinds of interesting patterns of ripples, shifting nearly imperceptibly but constantly with every gust. I included the footprint in this crop of the photo to provide some scale; who knows who left it, and how many thousands of years has it been imprinted in the sand? (I left it, about five seconds before taking this photo.)
Here was a fun little surprise: I wasn’t expecting to find rubber rabbitbrush (Ericameria nauseosus) in the desert sand, but here it is. We planted several of these at our home in Denver, and they were hosts to hundreds and hundreds of bees, along with lots of butterflies, during their late summer blooms. Rabbitbrush’s pollen is important source of food for butterflies during their migration. Native Americans used the yellow pollen to dye textiles, and they used other parts of the plants to make baskets and arrow shafts.
We saw a few invertebrate species of animals, including some beetles, but we didn’t see any mammals during our hike in the dunes. The park is home to American badgers, coyotes, black-tailed jackrabbits, desert cottontails, bobcats, and several different rodents. Most of the larger animals beat the heat by being nocturnal: staying in their burrows until nightfall. I think some kind of bird left the tracks on the left, and I’m fairly certain the photo on the right shows tracks from a northern Chihuahuan desert wolf. (I’m just kidding with you right now; they’re Gunther’s.)
The northern Chihuahuan desert wolf Gunther stopped running around long enough for me to take this picture on our two-mile hike on the dunes. The lower areas between the dunes provide a sheltered and well-watered place for plants to grow. The black dot at the top of the dune on the left side of the photo is another hiker.
White Sands National Park is an incredible treasure. A short hike up a 60-foot sand dune rewards one with a wonderful view of mountains, sky, and … more sand dunes. Nancy and I wondered, while on the two-mile hike, what it would be like to camp on the dunes. It would probably be an eerie experience — quiet except for the wind and occasional coyote yip. The stars would be beyond beautiful at night, though – something to consider for another trip to the park.
It’s bold to call a town theBarbed Wire Capital of the WorldTM, but that is indeed what La Crosse, Kansas does. The designation came about because of another of La Crosse’s claims to fame: it’s the home of the Post Rock Museum. But before we get into post rocks, let’s go back to barbed wire (if you really want to read about post rocks, scroll down to the bottom of this post but you’re going to miss out on the truly exciting barbed wire content). In the early 1960s, volunteers at the Post Rock Museum noticed that a large number of visitors took special notice of the small barbed wire exhibit.
La Crosse, Kansas (founded 1876, current population of 1,266 people), is the Barbed Wire Capital of the WorldTM and is home to the Kansas Barbed Wire Museum and the Post Rock Museum (note the structures holding up this sign; read on for more information on those).
In response to that interest, in 1966 a group of La Crosse businesspeople formed the Kansas Barbed Wire Collectors Association. As with any association, it conducted an annual event: the first Barbed Wire Swap and Sell Convention occurred at the Rush County Fairgrounds in May of the following year. More than 2,000 barbed wire collectors and enthusiasts attended the show. La Crosse has since hosted the event each year (the 2022 festival was May 5-7) and that’s one way you get to be called the Barbed Wire Capital of the WorldTM.
This signage is posted prominently on the museum’s exterior. I’ve spent most of my professional career working for nonprofit associations, and I’m still continually surprised at the truth of the statement, “There’s an association for everything.”
Another way is to develop a museum. The first building that housed the Kansas Barbed Wire Collectors Association’s collection of barbed wire and associated materials was a small structure on Main Street in La Crosse. The museum was dedicated on April 30, 1971; the day included a parade as well as appearances and remarks from various local and state dignitaries. The 500-square-foot building was home to displays of 500 types of barbed wire, tools, and other artifacts, the majority of which came from the collections of two Kansas men, Leo Schugart of Hoisington and Don Wigington of Quinter.
If you’re researching barbed wire, sooner or later you’ll be making your way to La Crosse, Kansas. If you’re hungry after studying barbed wire, be sure to visit the JCT 4 Diner, located on the north end of town (the museum is on the south end) and order the chicken-fried steak. Come to think of it, I wonder if there’s a chicken-fried steak museum.
Alas, less than two decades passed before the museum had outgrown the Main Street building. The La Cross chamber of commerce commenced a fundraising campaign to construct a new building, measuring 5,400 square feet, in the town’s Grass Park. The new facility, built in a year, was dedicated on May 4, 1991. The Kansas Barbed Wire Museum, which is owned and operated by the Kansas Barbed Wire Collectors Association, is also home to the Antique Barbed Wire Society’s Historical Research Center as well as its Hall of Fame. The museum welcomes visitors from around the globe each year.
Two of those visitors this year were Nancy and me, in late May. Nancy, recognizing my enthusiasm for barbed wire exhibits during our travels (we’ve seen an impressive number of exhibits in city museums in New Mexico and Arizona), surprised me with an early birthday gift of a visit to the museum. At the time, we were camping in Hays, Kansas, which is located about 25 miles due north of La Crosse. For those unclear or simply unaware of where Hays is, it’s about 160 miles east of the eastern border with Colorado, conveniently located in the north-central part of Kansas on Interstate 70.
The biggest part of the Kansas Barbed Wire Museum is its immense collection of barbed wire varieties, displayed in case behind Plexiglass. (Forgive the glare from the overhead lighting in this photo, but the Plexiglass is probably what you want between barbed wire and you.) I neglected to count, but I would imagine there are a couple of dozen cases (I’m not kidding) like this one. The museum’s collection contains more than 2,400 varieties of barbed wire mostly from the American West of the late 19th century, but also contemporary styles and those from around the world.
You might be asking yourself: “Why is there a museum dedicated to barbed wire?” It’s a fair question, I suppose, and for the answer we must go back to the formation of the North American continent and its place on the earth. Imagine a vertical line hugging the eastern borders of North and South Dakota, continuing south near the eastern border of Nebraska, and then across the eastern thirds of Kansas, Oklahoma, and Texas. That line is the 98th Meridian, meaning that it’s 98 degrees (out of the globe’s 360 degrees) west of the Prime Meridian at Greenwich, England (all meridian lines extend north and south to the poles of the earth). The 98th Meridian is significant because most all of the land in the United States west of that line (with the exception of the Pacific northwest and the west coast) gets less (and some get much less) than about 20 inches of precipitation each year, and everywhere east of that line receives more than 20 inches. To compare five cities in which we’ve recently been:
City
Meridian
Annual inches of precipitation
Tucson, Arizona
111th
10.6
Denver, Colorado
105th
14.3
Hays, Kansas
99th (one degree west of the 98th)
23.8 (plus an additional 13.9 inches of snow)
Memphis, Tennessee
90th
53.7
Detroit, Michigan
83rd
34 (plus an additional 33 inches of snow)
There are altitude-based and other geographic exceptions to the annual precipitation amounts, of course: a mountain town in Colorado such as Ouray, in the San Juans, can receive 20 or 24 inches of rain and almost 12 feet of snow each year. The point is, there are some places in the United States that are better suited to growing moisture-dependent crops such as, say, corn than others.
In the last year of being on the road, Nancy and I have experienced single-event rainstorms in Arkansas and Indiana that would have provided a third of Denver’s annual precipitation. That arid nature of the western United States results in different types of flora (such as buffalograss and saguaro cacti) and fauna (such as desert bighorn sheep and horned lizards), and, to get back to the subject of barbed wire, much fewer trees.
East of the 98th Meridian, trees are pretty common thanks to the arable soils and relatively high levels of precipitation. Because of their ready availability, trees provide wood with which to build fences to contain livestock and protect crops. However, in the high plains of the west, most trees grow naturally only along waterways like year-round rivers or seasonal creek beds; many of those trees, like cottonwoods and mesquite, are not anything with which you’d want to build a house or even construct a livestock fence.
Each of the mounted varieties of barbed wire is accompanied by signage denoting the name of the variety (Ox Pen Wire, Vosburgh Cast Iron Plate, and Scutt’s Early Clip, among others here), along with the U.S. patent number and date of patent, as well as the museum’s unique collection identification number. There are, again, 2,400 varieties of barbed wire on display at the museum, as well as vintage examples of all of the tools used to build and maintain the fencing. Certain people take this sort of thing very seriously, and I’m glad that they do. We all have our personal hobbies and interests, right?
While it doesn’t support any real kind of tree growth, the Great Plains does have a great variety of other plants. The native grasses of the prairies west of the 98th Meridian developed deep-growing roots in order to reach reserves of moisture in the soil. In addition to keeping the soil from blowing away during wind events, the grasses wouldn’t turn over easily with farm implements developed for eastern croplands. Further, those native plants had evolved to need much less moisture to survive than did crops such as wheat and especially corn that grew readily in the eastern United States.
The museum has a cabinet devoted to barbed wire with historical significance, which I found very interesting. Many of this blog’s readers with Kansas roots will remember the tornado that nearly completely destroyed the town of Greensburg, Kansas, on May 4, 2007. One can read the history of this artifact on the signage below the artifact. Greensburg is about 70 miles due south of La Crosse.
Some of the earliest expeditions by the U.S. Army into what is known today as the Great Plains showed that the land probably wasn’t fit for much at all. In an 1810 journal recounting his adventures in the U.S. West, First Lieutenant Zebulon Pike wrote “these vast plains of the western hemisphere may become in time (as) equally celebrated as the sandy deserts of Africa.” Major Stephen H. Long, who traveled more than 26,000 miles in five expeditions across the West, in 1820 called the area “a great desert,” which later led to the term “the Great American Desert.” The plains area from present-day Nebraska south to Oklahoma was, according to Long, “unfit for cultivation and of course uninhabitable by a people dependent on agriculture.”
This display, mounted high in the rafters of the museum, was one of the exhibits in the museum’s first building and brought to the new facility. It is a nest built by crows almost entirely of wire, much of which is of the barbed variety. The nest was found in Greeley County, Kansas, which is along the border with Colorado in the far west part of the state. In the exhibit, the wires are real; the crows are not but they give a sense of scale to the 72-pound display. Nests like these are found in the arms of utility poles and on windmill towers.
The passage of time shows that both Zebulon Pike and Stephen Long were wrong* about the prospects of people living in the High Plains. However, it took unimaginable hard labor, perseverance, and technological breakthroughs, in addition to that passage of time, to prove them incorrect. In 1820, the entire United States had a population of less than 10 million. Today, more than 14.5 million people live in the states of Nebraska, Kansas, Oklahoma, and Colorado. The Front Range of Colorado, which stretches from Pueblo in the south to Fort Collins in the north, has a population of more than 5 million people alone [and the Front Range also has views of two of Colorado’s most prominent mountains, Pikes Peak (elev. 14,115 feet) and Longs Peak (elev. 14,259 feet); I don’t know why the names don’t have possessive apostrophes, but these namesakes show that you can get mountains named after you even if you’re wrong].
*Actually, I don’t know that Pike and Long were entirely wrong. At least along the Front Range, that population of 5 million people is largely possible only by water being brought from somewhere else: snow runoff in western Colorado rivers that’s diverted under the Continental Divide to the Front Range, and water being pulled from the underground Denver Basin aquifer through wells. States downstream from Colorado are making increased (and, to this point, entirely legal) demands for Colorado’s western slope water, and the Denver Basin took tens of thousands of years to fill but is now being further depleted every year. Many farms in eastern Colorado and western Kansas and other parts of the area irrigate their corn (the crop doesn’t have much of a chance of success in the Great Plains without irrigation) with a lot of water pulled from the Ogallala Aquifer, which is being similarly and rapidly depleted, without a possibility of being refilled on a human timescale.
But I digress. Back to barbed wire. The 98th Meridian, then, served as a kind of barrier to westward expansion of the United States during and after the U.S. Civil War. The native grasslands were too tough to efficiently plow for use as cropland, and there was no guarantee that there would be enough precipitation to help crops survive even if their seeds could be planted. Add to that the fact that there was very little lumber for building or burning, and it was a land most inhospitable for development.
I haven’t played chess in quite a long while, but I still found this chessboard and piece display a lot of fun. Each type of piece is made from a different variety of barbed wire, identified by a nearby placard (ex., the two kings are made from Wing Staple Barb, patented in 1878; the four knights are Merrill’s “Twirl,” patented in 1874; the 16 pawns are made from Glidden’s “Oval,” patented in 1876).
What was the land, which supported at the time only a number of nomadic Native American tribes that hunted immense herds of bison and other native animals, good for? Well, some folks decided it could support cattle. Between 1866 (the year after the Civil War ended) and 1880, nearly 5 million head of cattle were driven from Texas north into Kansas and beyond for transport by railcars back east.
Barbed wire is also very effective at limiting the movement of people. This section of wire, along with the fragments of concrete, was taken from the Berlin Wall after that structure fell due to extraordinary social revolutions in late-1980s eastern Europe. The wall, for which construction began in 1961, separated the countries of East Germany and West Germany for nearly 30 years, until November 30, 1989. The museum devotes a lot of display space to exhibits of other barbed wire used for human containment, such as concertina wire, providing welcome food for thought beyond the wire’s use for livestock and crop fencing.
Along the way, some cattle were sold to ranchers in Texas, as well as present-day Oklahoma, Kansas, and other states. Those cattle helped establish ranches that, in a few cases, are still around today. The Homestead Act, signed into law in 1862, brought droves of people to the west with the intent of acquiring free land upon which they could build homes and develop farms. Moreover, the railroads, in addition to transporting cattle east, brought more people from the eastern United States to the west where public sentiment thought it increasingly likely that livings, if not fortunes, could be made – despite the treeless aspect of the plains.
Those eastern sentiments, such as putting up fences to protect their crops and livestock, conflicted with the open range rights that the cattlemen enjoyed. However, the plains still weren’t any good at providing trees with which one could make fences. Until farmers could cost-effectively keep free-range cattle from tromping their crops and their own livestock from wandering away into the vast expanse of the plains, there was no way for livings to be made. That changed on November 24, 1874, when Joseph Glidden was awarded a patent for barbed wire.
Glidden (January 18, 1813 – October 9, 1906) was an Illinois farmer (I’m writing this blog posting at Kankakee River State Park in Illinois, about 90 miles southeast of Glidden’s farmstead in DeKalb) who developed one of the first methods of mass-producing barbed wire using a coffee mill to create the preliminary experimental barbs. With another twisted wire keeping the barbs in place, Glidden developed “The Winner,” which he considered his best design effort and for which he received the U.S. patent. The development was an immediate success and quickly found its way west, where, since much less wood was needed to build fences, it ended the open range era of the American west and it turned the Great Plains into innumerable pastures. When he died in 1906, Glidden was one of the richest men in America.
Today, drive along any road – multi-lane paved Interstate highway or dusty gravel byway – in the West and you’ll likely see galvanized steel barbed wire fencing that can stretch for miles on into the horizon. It’s cheap, durable, and relatively simple to install, without the use of much wood (except where there isn’t any wood; see below).
Joseph Glidden may get the majority of the praise for popularizing barbed wire, but there were others before and after him who produced it.
Glidden’s “The Winner” wasn’t the only barbed wire design, and many before and many after him developed their own styles that they thought would work better in certain situations or environments. Those hundreds of other barbed wire designs, all with the intent of keeping animals in (or out) of a certain area, kept and continue to help keep Americans and the world fed and clothed for generations – and that’s the reason there’s a Kansas Barbed Wire Museum.
What to Do When There’s No Wood
Prior to the coming of the railroads to the west in the late 19th century, vast tracts of lands in the west couldn’t be fenced because there were no trees with which to provide wooden posts and rails. Even after the continent was crossed and after barbed wire was easily available, wood was still scarce and therefore best reserved for building living and work structures.
But spools of barbed wire can’t be used to build a fence without some sort of solid material used for a post, so what do you do? In the case of central Kansas, you use readily available material: rocks. Present-day Kansas, like much of the rest of America, was once under a great inland sea. Over millions of years, organic material from recently departed marine creatures fell to the sea bottom, and over further millions of years was compacted into a rock called limestone.
La Crosse’s original claim to fame was the Post Rock Museum, inside which are exhibits detailing the techniques and tools used to extract limestone used for fenceposts and other construction needs (such as for the Post Rock Museum itself and many other buildings in the area). The Post Rock Museum now shares the limelight with the Kansas Barbed Wire Museum; happily, the two are about 20 feet apart from each other.
The inland sea eventually drained away and, millions of years later, left present-day Kansas relatively dry and treeless under buffalograss-covered topsoil. Needing materials which which to build fenceposts, early settlers resorted to extracting the limestone rocks from just under the area’s topsoil. The area in which the limestone rests covers a 200-mile-long swath of Kansas land stretching southwest from the north-central border with Nebraska to about the location of Dodge City (a town, like many others in Kansas, that was made possible by the cattle trails of the late 19th century) in the southern part of the state. The swath measures in width from 10 to 60 miles wide. Farmers and people who specialized in quarrying post rocks would spend a day extracting about 25 posts, each of which could weigh between 200 and 450 pounds, from the ground.
This example of a post rock fence is adjacent to the Post Rock Museum, which originally had a relatively small display of barbed wire artifacts in addition to its primary focus of exhibits about extracting the posts from the ground. The popularity of the barbed wire display led to the establishment of the Kansas Barbed Wire Museum, now located directly next to the Post Rock Museum. See also the photos of post rocks used in the sign supports for the Kansas Barbed Wire Museum and the Antique Barbed Wire Society’s Historical Research Center at the top of this post – kind of brings it full-circle, don’t you think?
Because of their strength and stability, post rocks were needed only every 30 feet or so to support a barbed wire fence. Today, with the ready availability of steel and treated wood posts, post rocks aren’t nearly as high in demand. But in their heyday, from the mid 1880s to 1920s, post rocks were found in 40,000 miles of fencing in that swath of central Kansas – and, because of their durability (they’re rocks), many are still in use.
Back to Barbed Wire
Barbed wire, at first glance, may not seem like a significant development. But without it, the expansion of Anglo-Europeans westward across the 98th Meridian would have been, at best, substantially delayed. Beyond the economics and geographic expansion, barbed wire had huge cultural impacts as well: because it disrupted the migration of bison herds, barbed wire also led to the displacement of dozens of Native American tribes that had considered the region their homeland for many generations. Barbed wire, with a solid assist from the railroads, is what made the Anglo-European development of the Great Plains possible.
St. Vrain State Park had its beginnings in 1958 when the Colorado Department of Transportation bought some land around St. Vrain Creek to mine gravel needed for the construction of highways in the area. The mining projects left wide but relatively shallow holes in the ground, many of which filled in from the low water table of the St. Vrain. Over the years, more mining companies extracted more gravel, and now St. Vrain State Park has eight ponds and reservoirs, along with 87 campsites in eight different campgrounds. The state park is a popular destination for campers along Colorado’s Front Range; it’s just an hour’s drive from our former house in Denver. We camped there in our former trailer every April for a decade before becoming full-time RVers, and we returned to the shores of St. Vrain State Park in early May 2022.
St. Vrain State Park is a bird enthusiast’s dream destination. The park’s literature lists more than 200 bird species that can be seen in the park’s ponds, wetlands and meadows. Not all of those species are in the park at once; many use the ponds as a migratory rest area on their way to points north or south of Colorado, and others stay in the park for a few weeks or months out of the year. We saw more American white pelicans in the park in 2022 than we had in previous years. Watching them float noiselessly on the surface of the water is a very relaxing experience. When we were camping along the west bank of the Mississippi River in Arkansas a few weeks later, a flock of about 200 pelicans darkened the sky as the birds flew overhead.St. Vrain State Park is the largest great blue heron rookery in Colorado. Great blue herons are relatively common sights along the banks of the larger ponds in the park; they usually fly off if approached. If one is patiently quiet and still, however, it’s possible to see a heron catch a fish in the shallows. The largest of the heron family, great blue herons can grow to 4 1/2 feet tall and weigh more than five pounds, with a wingspan of 6 1/2 feet. I photographed this one on an early foggy morning on the bank of Sandpiper Pond. Whenever I think of St. Vrain State Park, the first bird that comes to mind is the red-winged blackbird. Their distinctive call (you can hear it at the soundfile below) can be heard throughout the park practically all day long, but especially in the early morning hours. While I’ve seen red-winged blackbirds perch on waving reeds and cattail stalks, in addition to tree limbs, this one found a solid fencepost upon which to belt out the hits. This is a bird species in which the males and females look nothing alike. This is a male blackbird; I’ve mistaken female blackbirds for some type of sparrow because they share the same light and dark brown markings.We were happy that our friends Mary and Robert, and their German shepherd, Otis, could camp at the site next to us on one of the weekends we were at the park. Mary, Robert, Otis and I took a walk one morning around Blue Heron Reservoir, the largest and newest of the lakes at the park, and happened to spot this guy out in the water. This photo of a western grebe isn’t great – it was 50 yards out and drifting further away – but it’s an interesting bird. They dive underwater to catch fish, which is their main diet, and it’s kind of fun to guess where they’ll pop up to surface. One of five grebe species that visits St. Vrain State Park, I’d also seen this species at Lathrop State Park near Walsenburg in October 2021.This well-camouflaged little bird is a song sparrow (I’m pretty sure; there are many varieties of sparrows and most of them look at least a little alike). It was hunting for bugs one evening along the banks of Mallard Pond. Click the link below to see why they got their name.Nancy and Gunther and I went on a longer hike one Saturday morning and saw a pair of tree swallows feeding their young nestlings inside a tree cavity. This is the female of the pair, who was hanging out on a tree limb and watching her mate feed their kids in the tree. She’s got just a hint of iridescent blue coloring on her head, whereas the male tree swallow is mostly blue. Like other swallows, their diet is mostly bugs that they catch while flying in the air; unlike other swallows, they also eat berries which allows them to make it through winter much easier.I took this photo of a female brown-headed cowbird a few minutes’ walk down the trail from the swallows’ nest. Cowbirds used to follow bison herds in the American West and forage on insects that were kicked up by the animals’ hooves. These days, they do the same with cattle herds and they’re found from coast to coast. This species has a fairly poor reputation among bird enthusiasts: it doesn’t build a nest in which to lay its eggs but instead lays its eggs in the nests of other bird species. This parasitism, which is practiced by only a few other birds, results in reduced numbers of other songbird species. I’ll be the first to state that this is a terrible, terrible photo. However, there is a story behind it: a little while after taking the photo of the brown-headed cowbird, we looked up and saw what we thought was a flock of Canada geese flying overhead. I took a picture of part of the flock, and I really don’t know why. After our hike, I looked at the photo on my laptop’s screen and realized that those weren’t Canada geese. Look at the beaks of the birds (they’re flying toward the right side of the photo): they’re very long and slightly curved. I thought they might be ibis (ibises?), and I looked at the park’s literature to see if ibis were ever sighted in the park. Turns out white-faced ibis do indeed migrate through St. Vrain State Park! Here’s a link to an Audubon Society page so you can see what these beautiful birds really look like.I know some readers of this blog frequently drive on I-25 between the Denver metro area and the northern reaches of the state. This is what’s beneath the bridges just north of Exit 240: thousands upon thousands (not kidding) of cliff swallow nests (those brownish smudges are the cliff swallows returning to feed their nestlings; I couldn’t get any decent photos of the birds themselves because they move so fast). The swallows have built the nests here to take advantage of the great biomass (bugs) available at the ponds and lakes of St. Vrain State Park. It’s important, I think, to remember just what a huge service that bug-eating birds do for us: imagine how many more grasshoppers, caddisflies, and mosquitoes we’d have to deal with were it not for these feathered friends of ours. The hike that Nancy and Gunther and I went on was chock-full of nifty birds we hadn’t seen before. I had no idea what this was when I took the photo, but I could tell it wasn’t a seagull. Again, after returning to the Goddard, I looked it up. It’s a Forster’s tern (might be another species, the common tern, but Forster’s terns are, inexplicably, more common than common terns). This was an incredibly acrobatic and fast flyer, and much fun to watch during its migratory stopover at the park.I took this photo of a beautiful barn swallow on the same morning that I took the photo of the great blue heron. The lighting, because of the fog, wasn’t great, but I was happy to see this little fellow light for a few minutes on a stretch of fence. Swallows of all kinds are very aerobatic flyers – they dip and whirl about while chasing bugs over bodies of water. We would see yet another species of swallow, the northern rough-winged, while camping on the Mississippi River in mid-June. There are six species of swallows, including the northern rough-winged, that visit St. Vrain State Park either on a seasonal or migratory basis. Over the years I’ve probably taken a hundred photos of double-crested cormorants, but they’ve all been taken when the birds are too far away from shore to turn out very well. They seem to like the company of pelicans while swimming (or perhaps they’re opportunistic feeders taking advantage of the schools of fish found by pelicans), but they’re much more timid than the big white birds and stay further from shore. They also take flight well before the pelicans do. The stars aligned during our trip to St. Vrain State Park in May, and I finally got some photos that aren’t embarrassing to share. During our stop I also figured out why these birds look so odd while swimming: unlike pelicans, or ducks, or geese, or pretty much any other waterfowl, they keep most of their bodies submerged. I think cormorants are one of the greatest visual reminders that, in a way, dinosaurs still walk the earth. This guy would not look out of place as an extra in a Jurassic Park movie.I’ll close with one of the best photos I’ve taken in a good long while. St. Vrain State Park is home to several pairs of nesting ospreys, which return to the same nest year after year, and the number appears to be growing. I noticed a new osprey nest (really not that impressive; it looks like a pile of trash and twigs because that’s what it is) along the road leading into the park, and asked a ranger about it. Turns out that the nest had delayed construction of a section of a long-planned hiking and biking trail that winds its way along the I-25 corridor, at least until the osprey fledglings had left the nest. True enough, work on the trail appeared to recommence a few days before we left, so I guess the fledglings had left home. Anyway, this osprey pictured was perched above Mallard Pond one late afternoon when the sun happened to be shining for a few minutes during an otherwise overcast day. It’s obviously used to passersby, but it’s a beautiful raptor nonetheless. The ponds and lakes have plenty of fish for both anglers and birds, like pelicans, and terns, and grebes, and cormorants. It’s fun to watch a grebe pop out of the water with a fish in its beak, but watching an osprey slam into a lake, talons outstretched, and then lift away with a trout in its grasp is a fantastic experience.
In the two weeks we were at St. Vrain State Park, we saw 26 different species of birds, including five, like the tern and ibis, I’d never seen before at all. We don’t have immediate plans to return to the park, but I don’t doubt that we will go back sooner or later. It’s a great place to unwind, and, although it’s close to I-25, it provides plenty of opportunities to get to know a tremendous variety of our feathered friends.
The city of Colorado Springs is home to a number of U.S. military installations, including the U.S. Army’s Fort Carson; the U.S. Air Force’s Peterson Air Force Base, Schriever Air Force Base, and Air Force Academy; and the U.S. Space Force’s Cheyenne Mountain Station, Space Command, and Space Operations Command.
I spent some of my early years (1975-1979) growing up just south of Colorado Springs, and it was fun to be able to camp in the Goddard for a week in April a few miles from my childhood home. I’d forgotten how common it was to see people in military fatigues while walking around Colorado Springs: almost 10 percent of the population is active-duty military, and the defense industry is responsible for about 40% of the Pikes Peak region’s economy.
The U.S. military’s strong presence in Colorado Springs makes the city a fine host for the National Museum of World War II Aviation, which opened in 2012. The museum has a collection of 28 aircraft dating from the 1920s through just after World War II, and here’s what makes this collection unique: each of them still flies. Nancy and I have been to plenty of aircraft museums to see hundreds of aircraft, but this was the first one in which all of the aircraft could be taxied to a runway and take off. The airplanes are used in a number of airshows across the country, and therefore must be maintained to be reliable and safe in the air.
The non-profit museum is co-located at the Colorado Springs Airport with a private business called WestPac, which specializes in restoring and maintaining vintage aircraft. Our tour of the museum on April 29, 2022, also included a good look at what WestPac does to restore these beautiful birds and keep them in the air.
North American Aviation T-6 Texan
This T-6 Texan is one of 15,495 of the aircraft built by North American Aviation between 1935 and 1951. The Texan was used as a training aircraft for pilots of the U.S. Army Air Force (which later became the U.S. Air Force) and the U.S. Navy, as well as air forces of the British Commonwealth, during the World War II era and into the 1970s. The T-6, with a cockpit built for the flight instructor and student, has a maximum speed of 208 mph and a range of 730 miles. Because of the number still capable of flight, the Texan makes frequent appearances at modern-day airshows. That’s Pikes Peak (elev. 14,115 feet), which had received some new snow up top a day or two before this photo in late April, above the cockpit.
Waco JYM
That’s our guide for the tour, docent John Lynch, in front of a 1929 Waco JYM airplane. This particular aircraft is known as “The Lindbergh Plane” because Charles Lindbergh, who in May 1927 became the first person to fly solo across the Atlantic Ocean, later flew this airplane to help promote the new industry of airmail service (which had employed Lindbergh before his historic flight). The airplane pictured provided airmail and air taxi service on the nearly 900-mile-long route between Chicago and Minneapolis.
The Waco JYM doesn’t have anything to do directly with World War II but as is the case with all aircraft, its service record helped develop the technology used in later airplanes. The museum is right to be proud of having this airplane in its collection: it’s one of four Waco JYMs produced for Northwest Airways, and this 93-year-old aircraft is the only one still capable of flight (note the pan underneath the engine to catch oil – all of the aircraft in the museum’s collection have those). Mr. Lynch, a U.S. Navy veteran of the Vietnam War, provided a thoroughly educational and entertaining tour; he was able to speak not only about the mechanics required for powered flight from the viewpoint of an engineer, such as wing and propeller design, but also the global developments of World War II from a historical perspective. He’s one of the better docents Nancy and I have had the pleasure of meeting.
Douglas Aircraft Company SBD Dauntless
This is an SBD (for Scout Bomber Douglas – in U.S. Navy nomenclature of the day, the first two words of the acronym describe the function and the last word names the manufacturer) Dauntless; they were originally designed by Northrup but the model was further developed and then introduced by Douglas in 1937. The first flight was in 1940. The Dauntless was a light bomber and reconnaissance aircraft with a maximum speed of 255 mph and a range of 733 miles. It had two .50-caliber forward-facing machine guns and two .30-caliber rear-facing machine guns (which were operated by the gunner/radio and radar operator, who was kept plenty busy in the back of the cockpit). An SBD also carried up to an 2,250-pound bomb load. These were the primary U.S. Navy aircraft in service during the attack on Pearl Harbor in December 1941, and a Dauntless was the first airplane to sink an enemy ship in World War II (a Japanese submarine, three days after Pearl Harbor).
I don’t think Nancy nor I were prepared for how big these Navy planes were – I guess we’re just used to primarily seeing, in person at least, fighter aircraft that were used in the European theater of the war. An SPD-5 had a length of 33 feet, wingspan of 41.5 feet, and a height of 13.5 feet, all with an empty weight of 6,400 pounds. Interestingly, the Goddard, the fifth-wheel trailer in which we live, has a length of 35 feet and a height of just over 13 feet, but it has a dry weight of 14,000 pounds — it’s not expected to take to the air, though.
If you’ve seen either version of the movie “Midway” (the 1976 release with Charlton Heston or the 2019 edition starring a number of CGI pixels), the Dauntless is the airplane that gets the most screentime while showing the events of the battles of the Coral Sea and Midway. In the latter battle, these aircraft sank or disabled four Japanese aircraft carriers. Also serving in the Battle of Guadalcanal, the Dauntless was, despite its slow speed and relatively light armament, a very hardy and reliable dive bomber. These airplanes sank more enemy ships in the Pacific Ocean than any other World War II bomber. As aeronautic and armament technology increased rapidly during the war, the production of SBDs ceased in 1944.
It was a great experience to see an example of the aircraft that was able to so effectively counterattack the Japanese naval forces during the early weeks and months of the United States’ involvement in World War II. This particular aircraft has an interesting story: it crashed into Lake Michigan in May 1944, during aircraft carrier training exercises, and wasn’t extracted from the lake until the mid-1990s. It has since been restored to be a fully functional flyer, one of only six SBDs in the United States still capable of flight (one-tenth of one percent of the original total of 5,936 produced between 1940 and 1944).
Grumman TBM 3-E Avenger
An unidentified tour participant, who seems to be in a lot of these photos, lends a sense of scale to this TBM Avenger. With a gross weight of 15,500 pounds, this was the heaviest single-engine aircraft of World War II. Grumman built the first Avengers, which originally flew just a few months before the attack on Pearl Harbor in 1941. It was formally introduced in 1942, and Grumman would go on to build almost 2,300 TBFs (torpedo bomber, and the “F” was for “Grumman,” for reason that probably makes sense from a military perspective). Electing to stop building Avengers in 1943 so that it could focus on the production of fighter aircraft, Grumman awarded a contract to General Motors to continue building the torpedo bombers. GM would call its versions TBMs (“M” for “Motors”). In all, Grumman and GM built almost 10,000 Avengers for the U.S. Navy, Marine Corps, and Allied naval and air corps. Note the folding wings, which allowed for more of these aircraft to be carried by … aircraft carriers.
TBF Avengers were not an immediate success story: of six unescorted aircraft that participated in the Battle of Midway in early June 1942, five were shot down and the sixth returned with one crewman dead and the other injured. As the war progressed, however, crews gained invaluable experience (each aircraft had a pilot, a gunner/radio operator, and a bombardier) and the Avenger played a pivotal role in naval operations; the airplanes destroyed two Japanese super-battleships and sank dozens of Japanese submarines in the Pacific and German U-boats in the Atlantic. The TBF/TBM had a maximum speed of 200 mph, with a range of 1,000 miles. It carried one 2,000-pound torpedo or 2,500 pounds of bombs, in addition to three .50 caliber machine guns and one .30 caliber machine gun.
George H.W. Bush, who would later serve as a U.S. President from 1989 to 1993, was shot down by Japanese forces during a September 1944 bombing mission while flying an Avenger. He parachuted from the plane and was picked up offshore by an American submarine.
Lockheed P-38 Lightning
Here’s the first fighter aircraft we saw on the tour: the P-38 Lightning, which was the only truly successful twin-engine fighter seeing action in World War II. It was used primarily in the Pacific theater of the war, where big oceans and dense tree canopies made having redundant propulsion systems desirable. The Lightning was the first fighting aircraft in history to exceed 400 mph, and the only American fighter in production from the beginning of World War II until its end. The Lightning was armed with four .50-caliber machine guns, a .30-caliber machine gun, and four hardpoints for bombs or rockets. P-38s were credited with destroying 1,800 Japanese airplanes in the Pacific during the war. Lockheed made just over 10,000 P-38s during its production.
This particular P-38, like many of the other aircraft in the museum’s collection, has an interesting history – including the deepest combat history of any other airplanes in the museum. Pilot Ken Sparks, on a mission on the last day of 1942, was credited with two aerial victories while flying this airplane. He downed one craft with gunfire, and then inadvertently clipped another with the Lightning’s right wing. The wingtip lost several feet of material, but the aircraft survived while the Japanese craft crashed. Sparks would have 11 more victories in several additional aircraft. This airplane was buried for decades near an airfield in Papua New Guinea, and was restored by WestPac in 2017.
This is another very large airplane, especially for a fighter, which made getting a good photo difficult – it has a wingspan of 52 feet. Empty, it weighs 12,800 pounds – twice the weight of the Douglas SBD Dauntless.
Republic P-47D Razorback
This was an interesting exhibit, located just behind the P-38: it’s the hulk of a P-47D Razorback, which was found in roughly the same condition as the remains of the Lightning. WestPac has plans to restore it, which would likely make it the only flying Republic-built P-47D in the world. It, like the P-38, was buried in the jungle for more than 50 years and gives you an idea of what the WestPac restorers sometimes have to work with.
Republic P-47D Thunderbolt
This is the same model of aircraft as shown in the previous photo, but it has the later bubble canopy that improved the pilots’ abilities to see their surroundings. With eight .50-caliber guns totaling 3,400 rounds, P-47s were the most heavily armed Allied fighters of the war. They were also fully capable as bombers; a Thunderbolt could carry about half the bombing ordinance of a B-17 Flying Fortress. Thunderbolts had a top speed of 433 MPH and a range of 800 miles. About 15,500 P-47s were manufactured during the war years, and their versatility saw them perform in every theater of the conflict. As we were to discover at yet another aircraft museum in a few months, Thunderbolts were built primarily in Evansville, Indiana, in the southeastern corner of the state.
Douglas A-1E Skyraider
This airplane wasn’t discussed much on our tour, but it caught my eye for a couple of reasons: it’s painted in the livery of the South Vietnam Air Force, and it’s positively loaded for bear. The A-1E Skyraider was designed by Douglas during World War II as a aircraft-carrier-based single-seat replacement for the Curtiss Helldiver (see below) and the Grumman Avenger (see above). Prototypes first flew in March 1945, and Douglas Aircraft would go on to build 3,180 of these aircraft. Skyraiders saw a lot of action in both the Korean War and the Vietnam War. An A-1E had four 20mm cannons and up to a dozen rockets. Depending on the mission, a Skyraider – powered by a single Wright 2,800-hp engine – could carry bombing materiel equivalent to that of a four-engine B-17 or B-24: it was tested to carry 10,000 pounds of bombs. While Skyraiders were flown in aerial combat during the Vietnam War by the U.S. Air Force, the U.S. Navy, and the South Vietnamese Air Force – two of these aircraft shot down a Soviet MiG jetfighter – the primary mission of the aircraft was to provide air support for ground troops. It was the most accurate bomber of that conflict.
Grumman F3F-2
Our tour continued into the maintenance hanger of WestPac, which was a great experience. Compare this Grumman F3F-2 to the P-47 in a previous photo, and you’ll see how rapidly aeronautics advanced when there was a world war underway. The F3F-2, the last U.S. Navy and Marine biplane fighter, was introduced in 1936 and retired from service in 1941 – before the United States entered the war, and the same year that the P-47 entered service. The F3F-2 had a .30-caliber and a .50-caliber machine gun, but could carry only 700 total rounds of ammunition. It could also carry one 116-pound bomb under each of its lower wings. Its engine is a Wright Cyclone producing 950 horsepower (less than half that of the Thunderbolt’s Pratt & Whitney’s 2,000 hp), and it had a top speed of 264 miles per hour – a little better than half of the P-47’s top speed. It’s a beautiful airplane for its (or any) time, to be sure. but it’s also instructive to see how quickly technology can improve when the conditions couldn’t be more serious. We saw this particular model in WestPac’s service center being readied for its annual inspection so that it could once again take to the skies.
Curtiss SB2C Helldiver
Here’s an aircraft currently under restoration by WestPac, the Curtiss SB2C Helldiver-1A. These airplanes had a troubled beginning, as their heavy weight. as well as issues with control and stability, caused multiple delays after a prototype first flew in December 1940. Curtiss was heavily criticized by the U.S. government for failing to produce combat-ready Helldivers in the first four years after the placement of the order, but the first SB2Cs finally saw combat in November 1943 and performed admirably during the latter period of the conflict – replacing the Douglas Dauntless SBD. Helldivers carried four .50-caliber guns and one .30-caliber gun, in addition to a thousand-pound bomb. Eventually 7,140 of these aircraft were constructed. This particular airplane was used as a trainer and saw action for a short while after World War II. It was later sunk in a lake, but recovered in the 1980s and is now one of WestPac’s restoration projects. This is the Wright 2600-8 engine of the Helldiver (shown at top left in the preceding photo; the propeller has been removed). The engine produces 1,700 horsepower and takes the aircraft to a maximum speed of 295 MPH and a range of 1,165 miles. I think it shows just much work went into the design of all of these beautiful aircraft so that America could contribute to winning World War II. Moreover, it shows what must go into their ongoing maintenance to make sure that they still fly safely; when we owned a house, I felt proud of myself when I remembered to add oil to the lawnmower.
The National Museum of World War II Aviation is tremendously fascinating. Seeing a range of aircraft developed for both air combat as well as bombing was illuminating. It has fewer aircraft than most aviation museums we’ve seen, but the idea that all of the restored airplanes are still capable of flight really sets the museum’s collection apart. If you’re in the Colorado Springs area, the museum is well worth a visit – the aircraft there are really quite beautiful machines.
Tales of The Goddard 